I have been VJ-ing a lot lately. I've taken the identity of VJ Goldstein. I made a promo with spinning cats in a starfield. There are also lots of footage that remind me of Colleen Lynn Cox's work of archived ancient video that I'm implementing. I'm using Isadora on the laptop, VCR's, VHS Cameras, and a pretty nice video mixer from the school.
There's a link I feel with the prospects of live video mixing with the thesis. It exists separately but with an underlying hum. There's the concept of feedback I use with the mixer. Either I aim the camera at the screen or I plug the mixer back into itself. This builds on some sort of fractal video oscillation that yields out interesting colors and patterns. The results are usually trippy or sick. I will post videos of the results when I have produced them in a cleaner setting.
Feedback is a concept I hope to explain in the video documentary as it is very important in audio generation in noisy circumstances. I have to ask this: Where are the points where audio feedback and video feedback intersect? Can they be used to define one another?
A Moving Example
7 months ago

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